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<channel>
	<title>Ryan Lee Moule </title>
	<link>http://www.ryanmoule.com</link>
	<description>Ryan Lee Moule </description>
	<pubDate>Wed, 23 Nov 2011 23:01:20 +0000</pubDate>
	<generator>http://www.ryanmoule.com</generator>
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	<item>
		<title>Work In Progress </title>
				
		<link>http://ryanmoule.com/Work-In-Progress</link>

		<comments>http://ryanmoule.com/following/ryanmoule.com/Work-In-Progress</comments>

		<pubDate>Wed, 23 Nov 2011 23:01:20 +0000</pubDate>

		<dc:creator>Ryan Lee Moule </dc:creator>
		
		<category><![CDATA[]]></category>

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		<description>Work In Progress
&#60;img src="http://payload2.cargocollective.com/1/3/116480/2355547/web.jpg" width="670" height="474" width_o="670" height_o="474" src_o="http://payload2.cargocollective.com/1/3/116480/2355547/web_o.jpg" data-mid="11837090"  border="0" align="left"/&#62;
Film Still 1 
(2012)


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		<excerpt></excerpt>

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	<item>
		<title>Mourning</title>
				
		<link>http://ryanmoule.com/Mourning</link>

		<comments>http://ryanmoule.com/following/ryanmoule.com/Mourning</comments>

		<pubDate>Tue, 31 May 2011 21:06:37 +0000</pubDate>

		<dc:creator>Ryan Lee Moule </dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">1511055</guid>

		<description>



Mourning.        The following film explores the way we collectively mourn. Individuals were invited to participate in an extended video portrait. They were asked to look directly into the cameras lens whilst holding in mind a conscious and specific inner thought about their loss. 

(Shown as a one off screening)


Mourning from Ryan Moule on Vimeo.


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	<item>
		<title>January 1988 </title>
				
		<link>http://ryanmoule.com/January-1988</link>

		<comments>http://ryanmoule.com/following/ryanmoule.com/January-1988</comments>

		<pubDate>Sat, 28 May 2011 11:16:09 +0000</pubDate>

		<dc:creator>Ryan Lee Moule </dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">1511102</guid>

		<description>

January 1988. What happens at the death of the last person who can identify, and through that identification care about, the human subject of a photograph?... Even the referential constant, the stillness of the photograph, is fated to pass away, but not before the subject suffers the indignity of losing his or her identity, being consigned to the nameless crowd, designed to become ever more alien while slowly disintegrating. This inevitable end is the final stillness of oblivion. 

- Jonathan Friday: Stillness Becoming: Reflections on Bazin, Barthes and Photographic Stillness p:54


January 1988 from Ryan Moule on Vimeo.

&#60;img src="http://payload.cargocollective.com/1/3/116480/1511102/1.jpg" width="670" height="418" width_o="1280" height_o="800" src_o="http://payload.cargocollective.com/1/3/116480/1511102/1_o.jpg" data-mid="7458218"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/116480/1511102/2.jpg" width="670" height="418" width_o="1280" height_o="800" src_o="http://payload.cargocollective.com/1/3/116480/1511102/2_o.jpg" data-mid="7458220"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/116480/1511102/3.jpg" width="670" height="418" width_o="1280" height_o="800" src_o="http://payload.cargocollective.com/1/3/116480/1511102/3_o.jpg" data-mid="7458227"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/116480/1511102/4.jpg" width="670" height="418" width_o="1280" height_o="800" src_o="http://payload.cargocollective.com/1/3/116480/1511102/4_o.jpg" data-mid="7458230"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/116480/1511102/5.jpg" width="670" height="418" width_o="1280" height_o="800" src_o="http://payload.cargocollective.com/1/3/116480/1511102/5_o.jpg" data-mid="7458246"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/116480/1511102/6.jpg" width="670" height="418" width_o="1280" height_o="800" src_o="http://payload.cargocollective.com/1/3/116480/1511102/6_o.jpg" data-mid="7458250"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/116480/1511102/7.jpg" width="670" height="418" width_o="1280" height_o="800" src_o="http://payload.cargocollective.com/1/3/116480/1511102/7_o.jpg" data-mid="7458255"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/116480/1511102/8.jpg" width="670" height="418" width_o="1280" height_o="800" src_o="http://payload.cargocollective.com/1/3/116480/1511102/8_o.jpg" data-mid="7458258"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/116480/1511102/9.jpg" width="670" height="418" width_o="1280" height_o="800" src_o="http://payload.cargocollective.com/1/3/116480/1511102/9_o.jpg" data-mid="7458264"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/116480/1511102/10.jpg" width="670" height="418" width_o="1280" height_o="800" src_o="http://payload.cargocollective.com/1/3/116480/1511102/10_o.jpg" data-mid="7458269"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/116480/1511102/11.jpg" width="670" height="418" width_o="1280" height_o="800" src_o="http://payload.cargocollective.com/1/3/116480/1511102/11_o.jpg" data-mid="7458272"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/116480/1511102/12.jpg" width="670" height="418" width_o="1280" height_o="800" src_o="http://payload.cargocollective.com/1/3/116480/1511102/12_o.jpg" data-mid="7458277"  border="0" align="left"/&#62;


Below:
Installation detail, Truman Brewery, Brick Lane, London (June 2010)

&#60;img src="http://payload.cargocollective.com/1/3/116480/1511102/35999_406398084845_700564845_4013926_6908603_n.jpg" width="670" height="445" width_o="720" height_o="479" src_o="http://payload.cargocollective.com/1/3/116480/1511102/35999_406398084845_700564845_4013926_6908603_n_o.jpg" data-mid="7462748"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/116480/1511102/35999_406398094845_700564845_4013928_1594863_n.jpg" width="670" height="445" width_o="720" height_o="479" src_o="http://payload.cargocollective.com/1/3/116480/1511102/35999_406398094845_700564845_4013928_1594863_n_o.jpg" data-mid="7462749"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/116480/1511102/35999_406398104845_700564845_4013929_4006720_n.jpg" width="670" height="445" width_o="720" height_o="479" src_o="http://payload.cargocollective.com/1/3/116480/1511102/35999_406398104845_700564845_4013929_4006720_n_o.jpg" data-mid="7462750"  border="0" align="left"/&#62; 


body { background:url('http://lianneharrison.files.wordpress.com/2011/05/teaarticleweb.jpg''); }</description>
		
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	</item>
		
		
	<item>
		<title>Absence in Presence</title>
				
		<link>http://ryanmoule.com/Absence-in-Presence</link>

		<comments>http://ryanmoule.com/following/ryanmoule.com/Absence-in-Presence</comments>

		<pubDate>Sat, 28 May 2011 10:46:11 +0000</pubDate>

		<dc:creator>Ryan Lee Moule </dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">1511071</guid>

		<description>

&#60;img src="http://payload.cargocollective.com/1/3/116480/1511071/Destroyed Print after Projection (three week exhibition).jpg" width="670" height="480" width_o="2048" height_o="1469" src_o="http://payload.cargocollective.com/1/3/116480/1511071/Destroyed Print after Projection (three week exhibition)_o.jpg" data-mid="7460046"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/116480/1511071/Projection on Chemical print 2.jpg" width="670" height="670" width_o="800" height_o="800" src_o="http://payload.cargocollective.com/1/3/116480/1511071/Projection on Chemical print 2_o.jpg" data-mid="7460050"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/116480/1511071/Projection on Chemical print.jpg" width="670" height="670" width_o="800" height_o="800" src_o="http://payload.cargocollective.com/1/3/116480/1511071/Projection on Chemical print_o.jpg" data-mid="7460051"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/116480/1511071/BlackPortrait_web.jpg" width="670" height="485" width_o="670" height_o="485" src_o="http://payload.cargocollective.com/1/3/116480/1511071/BlackPortrait_web_o.jpg" data-mid="9806581"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/116480/1511071/BlackPortrait_web2.jpg" width="670" height="486" width_o="670" height_o="486" src_o="http://payload.cargocollective.com/1/3/116480/1511071/BlackPortrait_web2_o.jpg" data-mid="9806585"  border="0" align="left"/&#62;
&#60;img src="http://payload.cargocollective.com/1/3/116480/1511071/BlackPortrait_web3.jpg" width="670" height="490" width_o="670" height_o="490" src_o="http://payload.cargocollective.com/1/3/116480/1511071/BlackPortrait_web3_o.jpg" data-mid="9806529"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/116480/1511071/BlackPortrait_web4.jpg" width="670" height="490" width_o="670" height_o="490" src_o="http://payload.cargocollective.com/1/3/116480/1511071/BlackPortrait_web4_o.jpg" data-mid="9806532"  border="0" align="left"/&#62;

Image 1 - Destroyed unfixed chemical print.
Image 2 &#38; Image 3 - Colour projection onto B&#38;W unfixed chemical print (installation detail).
Image 5, 6, 7,8 - Chemical Prints from Elysium Gallery one year after exhibition.

Below:
Installation detail, Mission Gallery  (March 2010)
'Fugitive Testimony: Still Restless: Photography: Time: Document'

&#60;img src="http://payload.cargocollective.com/1/3/116480/1511071/Installation detail .jpg" width="500" height="752" width_o="500" height_o="752" src_o="http://payload.cargocollective.com/1/3/116480/1511071/Installation detail _o.jpg" data-mid="7462478"  border="0" align="left"/&#62;</description>
		
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